The following story, which highlights some of 亚色影库’s early Black student organizations from the 1970s and early ’80s, was originally released on February 13, 2023, during Black History Month. After publication, alumni provided new information, which has been used to update the story. (Thank you for those contributions.) See the revamped story below.
This image is a collage of four photos. The top, left, black-and-white photo shows three female students in a dance performance. The top, right, color photo shows 12 young men in dress clothes, posing in two rows in front of a building. The bottom, left, color photo shows four young women in dress clothes, posing in a row in front of shrubbery. The bottom, right, black-and-white photo shows a group of male students, most wearing tuxedos, casually grouped together and holding a trophy.

Sam Cooke’s 1964 rhythm-and-blues hit “A Change Is Gonna Come” was an anthem for its era.

The song’s lyrics were about past hard times and longing for better days ahead.

By the mid- to late 1960s, hope for change was everywhere. Thousands took to the streets, seeking an end to US fighting in Vietnam. Many advocated for greater opportunities for women, while Black Americans sought to overturn years of discrimination in housing, employment practices, education, and voting.

Indiana and 亚色影库 were not exempt from these demands for change. In March 1965, more than 400 Indiana residents marched through downtown Indiana in support of civil rights. Students and area residents worked together to end segregationist practices at Indiana’s Mack Park swimming pool. (See “Our Fight for Civil Rights in Indiana,” published in fall 2020.)

During these years, 亚色影库’s Black student enrollment was low. In 1969, 44 Black students attended 亚色影库, 0.5 percent of total enrollment, according to The 亚色影库 Story: From Normal School to University, by Charles Cashdollar ’65, professor emeritus of history and Distinguished University Professor. Among Pennsylvania’s 14 state-owned schools, 亚色影库 was one of the lowest in terms of Black enrollment.

In this black-and-white photograph, three young women sit and talk in a lounge. Another person whose face is not visible is sitting behind them. One woman has her head turned to look at the camera.

Elkin Hall residents chatted in a lounge in the 1970s. (亚色影库 Archives)

Four young men in fall clothing stand around an upright concrete slab with engraved symbols at the entrance of a building with shrubbery around it. Other people can be seen in the background.

Outside Leonard Hall, in the current location of Kopchick Hall, in the early ’70s (亚色影库 Archives)

Black-and-white, indoor photograph, shot from below, of three young women leaning against a metal railing and watching something below. The woman on the right is talking, and the woman in the center is smiling and looking at the camera.

Spectators at a swimming party in the early ’70s (亚色影库 Archives)

Diversifying the Student Body

Black students spoke up about needed change at 亚色影库, Cashdollar wrote. In February 1969, members of Black Progressives presented a list of demands to President William Hassler. The students sought increased enrollment of Black students, a full-time staff member to help with minority recruitment, and a summer program for Black high school students.

In this black-and-white photo, 12 people meet around four tables that are pushed together to form one large table in a classroom-type setting. In the background on the back wall is a chalkboard with writing and on a side wall is a bulletin board with posters.

Members of the student advisory committee for what would become the Equal Opportunity Program met in the early ’70s. The EOP helped disadvantaged students with their transition to college. (亚色影库 Archives)

Black Student Organizations, 2023

Know an organization to add to this list? Email iup-now@iup.edu .

Around the same time, 亚色影库 administrators received a report from the US Department of Health, Education, and Welfare’s Office for Civil Rights. According to the report, Pennsylvania’s state-owned schools were “racially segregated on a state-wide basis,” with Cheyney being predominantly Black while the other 13 were virtually all White. The state was charged with writing an action plan that would lead to desegregation of the 14 schools.

The report also gave each school recommendations on how to diversify its student body. 亚色影库 was advised to publicize its policy related to equal education for all, to work with outside Black organizations and schools to recruit Black students, to offer remedial programs for disadvantaged youth, and to make efforts to recruit more Black faculty members.

In the early 1970s, 亚色影库 started what became known as the Equal Opportunity Program, designed to help disadvantaged students with their transition to college life. The program began with 26 students in 1970. By 1980, enrollment was in the hundreds. In 1978, 亚色影库 launched the Scholars Program, a venture to attract bright minority students by offering scholarship opportunities, a mentoring program, and summer orientation before freshman classes began.

With these efforts, Black enrollment began to steadily increase at 亚色影库. In his book, Cashdollar wrote that “the overall number of black students at 亚色影库 increased to 2.3 percent in 1973, 6.0 percent in 1980 and 6.5 percent in 1984.”

Organizing around Interests

With this increased enrollment came new clubs and social organizations for 亚色影库’s Black students. These groups, such as the Gospel Choir, the Black Cultural Center, and Students of the Creative Arts, reflected the interests and talents of the students. By the early 1980s, five Black Greek organizations were chartered on campus. All were attempts to help 亚色影库’s growing number of Black students feel comfortable at their academic home.

Historical publications suggest the Black Progressives—the student group later renamed the —was one of the first Black organizations at 亚色影库. It provided Black students an opportunity to “meet socially, express views and discuss the problems of attending a predominantly white school,” according to the 1970s booklet Black Life at 亚色影库.

During the mid-1980s, the Black Cultural Center staged a fashion show and, with the Activities Board, cosponsored an appearance by the R&B band Pieces of a Dream. Black Students of the Creative Arts, which encompassed theater, music, and dance, had 35 to 40 members earlier in the decade. Dancer Debra Evans Smith ’81 said 亚色影库 officials eventually advised that “Black” be dropped from the group’s name. Although the group complied, the missing word was not forgotten by members.

In this black-and-white photograph, about 20 young people in casual clothing, some wearing knit winter hats, sit in a classroom. Most are looking in different directions; some are talking amongst themselves. Three windows in back show it is dark outside.

The Black Student League, shown in the early ’70s, is one of the oldest Black student groups at 亚色影库. (亚色影库 Archives)

Black-and-white, posed photo of five young people in an office setting with a window behind them. Three are standing, one is seated at a desk, and the other is sitting on the desk.

Black Student League officers in the early ’70s: Ronald Smith, Ree Sanders, Cedric Lawrence, Sherry Cottom, and William Mays, seated (亚色影库 Archives)

“The students did everything in the productions. It was a lot of work but never felt that way.”
In this black-and-white photo, nine young women dance in a row on a stage, wearing either black or white leotards. Both sides of the row are turned to its center.

Students of the Creative Arts dancing to “Marching in the Streets.” “Our goal was to strive for professionalism,” said Debra Evans Smith, who provided these photos.

In the foreground of this black-and-white photo, a young man wearing a suit and fedora dances with a young woman in a silky, one-shouldered dress. They are holding hands, both facing the camera, and have their opposite hands raised. Another dancing couple is partly visible behind them.

SOCA performed a couples dance to Diana Ross’s “Fine and Mellow” circa 1980. In front: Leon Stiles and Debra Evans. In back: Michael Pinnix.

In this black-and-white photo, three young women and more in the background and to the side are dancing on a stage wearing dark, sleeveless, V-neck leotards and baggy light-colored pants that gather at the bottom.

SOCA members danced to “Tornado” from the musical “The Wiz.” From left: Rhonda Flemming, Cheryl Reasoner, and Donna Reaves.

“We did performances each semester which were very well attended by Black students on campus as well as some faculty/staff,” Smith wrote in an email. A favorite production was a couples dance to the Diana Ross song “Fine and Mellow.” Male dancers were dressed in suits and fedoras while their partners wore silky, one-shouldered dresses they made themselves.

“Our goal was to strive for professionalism,” wrote Smith, who now lives in northern Virginia and worked 34 years for the FBI. “The students did everything in the productions from beginning to end. It was a lot of work but never felt that way. We had a ton of fun.”

The Gospel Choir, sometimes called the 亚色影库 Black Gospel Choir, was active from 1976 to 1980, according to the yearbook, The Oak. A retired professor from the College of Education and Communications, Melvin Jenkins M’92 said the choir had disbanded by the time he arrived in Indiana. With a background in music and ministry, Jenkins was interested in forming a campus gospel group and approached Terry Appolonia ’79, M’81, then an assistant director of Student Activities and Organizations, about the possibility.

“He was very, very excited about it and thought it was a good idea,” said Jenkins, senior pastor at Victory Christian Assembly in Indiana.

Closeup of three young women within a large group of young women standing at attention in elevated rows, outdoors. All are wearing burgundy, graduation-style gowns with white shoulders and with a white sash with script writing hanging vertically down the left front.

亚色影库 Voices of Joy sang on the steps of Stapleton Library before the honors convocation ceremony in May 1993. From left: Onjanette Andrews, Teresa Fulton, and Marlyn Price. (Ron Juliette)

More than 20 people in casual clothing sing passionately in an indoor setting with two sets of double doors in the background. Several have their hands raised. The three women in the foreground are clear, and the other singers are more blurred the farther back they are in the group.

Voices of Joy alumni rehearsed during a reunion weekend in April 2014. In the foreground, from left, Quintina Thomas ’11, Malaika Moses Turner ’95, M’99, D’15, and Nicole Willis Dawkins ’93. (Keith Boyer)

亚色影库 Voices of Joy formed in 1988 and, at its height, had 80 members. Jenkins believes gospel singing helped some of his young 亚色影库 singers from cities like Philadelphia reconnect with their urban roots. The group proved popular with area residents, too, and once performed for Pennsylvania Governor Bob Casey when he visited Indiana.

“The people of the community embraced the group,” Jenkins said.

Venturing into Greek Life

Chapters of , and Omega Psi Phi, Inc., were among the first Black fraternities chartered at 亚色影库. Alpha Phi Alpha sponsored a slate of activities for students in its early days at the university. The pamphlet Summer of ’79 Busting Out, from the fraternity’s files in the 亚色影库 Archives, lists planned activities such as a disco party, a bake sale, and a picnic at Mack Park. An early mission statement for Omega Psi Phi, also from the Archives, states the fraternity’s goals were “to help in such functions as community services, social activities, scholarship, athletics as well as to enhance the black status at 亚色影库.”

An 亚色影库 student from 1973 to ’76, Irwin Banks said he and others who chartered 亚色影库’s Xi Sigma chapter of Alpha Phi Alpha were originally part of a non-Greek student group called Black Is.

Low quality, black-and-white photo of 11 young Black men wearing black T-shirts with “Indiana” across the front and wearing large, mushroom-shaped symbols around their necks. The men are in two rows, with the front five kneeling and the back six standing.

Alpha Phi Alpha at 亚色影库 had 11 original pledges. Front, from left: Kevin Young, Lindsay Ferguson, Rick Dorsey, Irwin Banks, and George Ferguson. Back row: Kenneth Acrie, Naudain Radcliff, Kevin Stubbs, Robert Coles, Derek Jackson, and Melvin Reed. (Photo courtesy of Irwin Banks)

Nine older Black men—most wearing black suits and gold ties—pose in an indoor courtyard-type area with some plants in red-brick planters in the background. Five of the men are seated in front, and four stand behind them.

Alpha Phi Alpha, Xi Sigma chapter, “New Unity” charter members reunited for the chapter’s 40th anniversary in 2016. Front, from left: Kevin Young, Lindsay Ferguson ’79, Rick Dorsey ’79, Irwin Banks, and George Ferguson ’78. Back row: Kenneth Acrie ’77, Naudain Radcliff ’80, Kevin Stubbs ’77, and Robert Coles ’78. Missing: Derek Jackson ’79 and Melvin Reed. (Photo courtesy of Irwin Banks)

A native of Pittsburgh’s North Side, Banks said he and Kevin Chapman ’77 started Black Is in 1974. For 亚色影库’s small number of Black students at the time, social and cultural activities were limited, he said. He started to bring in entertainment, including bands he knew, and to coordinate other activities that became the work of this new student group.

“Black Is represented excellence, educated, beautiful, My Brother’s Keeper,” Banks said. “It was whatever someone needed it to be.”

In 1975, he and another student, Kevin Young, began pledging Alpha Phi Alpha fraternity at the University of Pittsburgh. To eliminate that weekend commute, for future candidates and for themselves, they and several other members of Black Is—11 students total—chartered 亚色影库’s chapter of Alpha Phi Alpha in 1976.

“Black Is transitioned into Alpha Phi Alpha,” Banks said.

Envisioning the fraternity as the “missing link needed to unite the black population at Indiana,” the chapter chose the name “New Unity,” according to a written history.

Many of New Unity’s activities focused on community service, including helping in Indiana’s Chevy Chase community and at schools and churches, said Banks, who finished his undergraduate degree at Geneva College and went on to earn master’s and doctoral degrees. After a career in the corporate, educational, behavioral health, and nonprofit realms, he’s now retired and living in Verona.

When Art “A. P.” Woods ’83 was at 亚色影库, he was a member of the Lambda Mu chapter of Phi Beta Sigma, chartered in December 1979. The brothers were very active both on and off the 亚色影库 campus, Woods said. Phi Beta members played in various varsity sports, worked as resident advisors in some of 亚色影库’s dorms, served as tutors in 亚色影库’s Scholars Program, and volunteered in the Chevy Chase community.

“Individually and as a fraternity, we supported a lot of the activities that were going on around campus,” said Woods, of Cranberry Township.

In the early 1980s, Phi Beta sponsored the Miss Black 亚色影库 pageant. The Players, a non-Greek Black student group, had been one of the first sponsors of the pageant, which began sometime in the mid- to late 1970s, according to Donald Howe ’79, of Burlington, New Jersey.

When the Players’ involvement in Miss Black 亚色影库 ended, Phi Beta stepped in to help ensure the pageant continued, Woods said. He served as pageant director in 1981.

Lambda Upsilon chapter of Kappa Alpha Psi, Inc., was chartered in 1983, and Maurice Miller was one of its early members. Miller and his fraternity brothers worked with officials from 亚色影库 and the national office of Kappa Alpha Psi to establish Lambda Upsilon.

“It was a huge life’s lesson, because it helped us understand what would be expected from us in the ‘real world.’”

“It was a slow process at first,” Miller said. While the brothers waited for official chartering, they were active on campus, participating in fundraisers, helping with blood drives, and playing intramural sports. Along the way, they got the support they needed from 亚色影库 officials.

“The campus was very receptive to us,” said Miller, who majored in criminology and now is a member of the Pittsburgh Bureau of Police.

Delta Sigma Theta, Inc., and , were among the first Black sororities to appear in The Oak. Throughout the 1980s, Delta Sigma Theta sponsored an annual Halloween party for children at the Chevy Chase Community Center, with activities such as bobbing for apples and a costume contest. In 1986, members traveled to Pittsburgh to visit residents of the Lemington Home for the elderly.

In the 1980s, Alpha Kappa Alpha members participated in Red Cross blood drives and volunteered at Indiana Hospital. At that time, the sorority was part of a “citywide” chapter with colleges in Pittsburgh; 亚色影库 did not have its own chapter. Working with others so distant from 亚色影库 was difficult, said Cynthia Johnson Nelson ’97.

She and her nine co-initiates spearheaded the formation of 亚色影库’s own Rho Rho chapter in the mid-1990s. They wrote letters, handled reams of paperwork, and staged a large banquet for visiting officials from the national sorority’s offices. In the end, Rho Rho was born.

“It was a huge life’s lesson, because it helped us understand what we needed to do when we left school and what would be expected from us in the ‘real world,’” said Nelson, now an attorney in Philadelphia.

Two other early sororities at 亚色影库 were Sigma Gamma Rho, Kappa Lambda chapter, and Zeta Phi Beta, Mu Kappa.

Kappa Lambda was chartered in November 1983. For its first several years, Paulette Davis, a Sigma Gamma member and graduate of Kent State University, served as an advisor.

Nationally, Sigma Gamma Rho supported Operation Book Bag, and the 亚色影库 chapter joined in the efforts, collecting supplies for area schools.

“As I recall, we had one, maybe two, education majors in that first group of members,” said Davis, who now lives in Pittsburgh. “They could already identify the schools in Indiana that they could target for the supplies. It was great, because it let them know more about the local community.”

Davis pointed out that this fall will mark the 40th anniversary of the Kappa Lambda chapter, and she expects several of its founding members to return for festivities.

Glenda Cousar ’82, now an oncology nurse outside Washington, DC, was a sister when Zeta Phi Beta, Mu Kappa, was chartered on May 3, 1980.

Cousar said she was attracted to Zeta Phi because the national sorority emphasized scholarship, community service, and volunteerism. “I loved the principles it exemplified,” she said.

At 亚色影库, Zeta Phi sisters helped with local food drives and fundraised for scholarships. “We did volunteer in the nursing homes,” Cousar said. “We did a lot in the community.”

In this black-and-white photo, 17 young men in coats and ties of various shades stand in a V-shape on wide, outdoor stairs, which are in front of the entrance to a building with a dark glass and brick façade. There are railings in the middle and on either side.

Alpha Phi Alpha, Inc., shown in 1983, was one of the first Black fraternities chartered at 亚色影库. (亚色影库 Archives)

In this black-and-white photo, a group of about 10 casually dressed young men pose around two young men wearing tuxedos, the one in the center holding a trophy. Four men are making a symbolic gesture, forming a circle with their forefinger and thumb and holding the other fingers straight.

After the 1993 Mr. Black 亚色影库 competition, brothers of event-sponsor Kappa Alpha Psi posed with the winner, Larry Meadows. (亚色影库 Archives)

In this black-and-white photo, 11 young women in dress clothes smile and pose in a lounge-type setting with furniture with vertical stripes in the background. Two women are seated in front, five stand behind them, and four are higher in the back.

In the 1980s, members of Delta Sigma Theta organized parties for community children and visited a Pittsburgh home for the elderly. (亚色影库 Archives)

In this black-and-white photo, six young women in early-fall clothing pose outside with concrete stairs in the background. One of the six is kneeling in front, and the others have a hand on her shoulder.

An Alpha Kappa Alpha “interest group” in the early ’70s (亚色影库 Archives)

In this black-and-white photo, 10 young women in dress clothes pose on three levels. Three sit on lower stairs, seven sit one level up at the top of the stairs that appear to extend to a carpeted seat, and two appear to be standing in the back.

In the early ’80s, Alpha Kappa Alpha was part of a “citywide” chapter with Pittsburgh colleges. (亚色影库 Archives)

Two young men in white shorts, white gloves, and navy-blue T-shirts with the Greek symbols for Phi Beta Sigma dance in a gymnasium with an audience of young people seated behind them in folding chairs.

In the early 1980s, Phi Beta Sigma brothers were active both on and off campus, said Art Woods, who provided this step show photo.

Twelve young men in dress clothes pose in front of a building. Nine men are standing in back, and three are kneeling in front. The center three in the back and all three kneeling have linked hands.

亚色影库’s chapter of Phi Beta Sigma was chartered in December 1979. (Photo courtesy of Art Woods)

Four young women in dress clothes and styled hair pose in a row in front of trees and shrubbery.

Zeta Phi Beta circa 1980. The sorority emphasized scholarship, community service, and volunteerism. (Photo courtesy of Art Woods)

Raising Awareness about Race, Diversity

Black student enrollment grew steadily in the early 1980s, but there were glitches later in the decade. After Black enrollment climbed to more than 200 for each of the years between 1980 and 1983, it fell below 150 in 1984 and 1985, according to the July 11, 1988, issue of the Penn. It rebounded for the years 1986 and 1987 to 194 and 192, respectively, but was still below enrollment numbers for 1980 to 1983. In the Penn article, Fred Dakak, dean of Admissions, said he believed problems stemmed partially from a poor educational climate in many urban high schools.

In the fall of 1988, that year’s Miss Black 亚色影库 said in an interview with the Penn that many Black students felt uncomfortable on the still largely White campus. The following summer, administrators planned their annual workshop around the theme of diversity, according to Cashdollar. Soon after, President John Welty issued a statement on the need for cultural diversity on campus, and the university began planning for the first of what would become annual Diversity Day events.

Black students themselves explored ways to shape the discourse on race and diversity. In 1987, the Black Cultural Center sponsored a presentation by Carl Ellis, a faculty member at the Center for Urban Theological Studies at the time, who spoke on his concerns about increasing racism in America. In 1988, the center and the Black Emphasis Committee held an anti-racism workshop during Ebony and Ivory Week. Participating students agreed to form an 亚色影库 chapter of SOAR, Students Organized Against Racism.

Throughout its history, the Black Student League promoted awareness of political issues facing 亚色影库’s Black students. Jerome Moore was president of the Black Student League in 1987, and in that year’s Oak, he talked about the importance of helping his peers prepare for the future.

“As president of the Black Student League, my intention was to make [the League] a stepping stone for next year’s leaders,” he said. Moore went on to graduate the following year.

Many changes had occurred since the turbulent 1960s, and more were still to come, but the 亚色影库 community would keep working together to address the challenges ahead.